Strona Z Prasówkami

MEME - My 5 favorite couples of 2010

Inception - ARTHUR \\ EAMES ♥ ♥ ♥

EAMES: ; Alright, well try this. My father accepts that I want to create for myself, not follow in his footsteps.
COBB:That might work.
ARTHUR: Might? We're gonna need to do a little better than might.
EAMES: Oh, thank you for your contribution, Arthur!
ARTHUR: Forgive me for wanting a little specificity.
EAMES: ...?
ARTHUR: Spe-ci-fi-ci-ty.

ARTHUR: Eames, I am impressed.
EAMES: Your condescension is always much appreciated, Arthur. Thank you.

ARTHUR: Go to sleep, Mr Eames.

SKINS - CHRIS MILES\JAL FAZER

CHRIS: I was perfectly happy killing myself. But then you asked me to try. And for the first time in my life it felt like sombody actually gave a sh!t. That person was worth trying for.”

JAL: The thing about Chris was, he said yes. He said yes to everything. He loved everyone. And he was the bravest boy - man - I knew. And that was - he flung himself out of a foil balloon every day. Because he could. Because he was. And that’s why - and that’s why I, we loved him.

JAL: This is all my luck. It's all I've got.

CHRIS: I fucking love you.

GOSSIP GIRL - CHUCK BASS\BLAIR WALDFOR

CHUCK: If two people were meant to be together, eventually, they will find their way back.
BLAIR: Do you really belive that?
CHUCK: I do.
BLAIR: SO do I.

CHUCK: The next time you forget you’re Blair Waldorf, remember I’m Chuck Bass and I love you.

CHUCK: Your world would be easier if I didn't come back.
BLAIR: It's true, but it wouldn't be my world without you in it.

CHUCK: My father always thought I was weak. And in the moment that mattered most, I was. I left, ran away. I've been pushing myself to prove him wrong and... pushing you away.

BLAIR: You are not like anymore. You carry peolpe, you carry me. You becoming a man in way that your father  never was.

CHUCK:Did you ever find her?
BLAIR: Yes. We're not friends anymore. That's okay. I have you. That's all I need .

CHUCK: I'm not Chuck Bass without you.

SHERLOCK BBC - SHERLOCK HOLMES\JOHN WATSON 

.

JOHN: I'm his Doctor.

JOHN: That's fantastic!
SHERLOCK: Do you know you do that out loud?
JOHN: Sorry, I'll shut up.
SHERLOCK: No... it's fine.

SHERLOCK: I need to get some air, we're going out tonight.
JOHN: Actually, I've uh, got a date.
SHERLOCK: What?
JOHN: It's where two people who like each other go out and have fun.
SHERLOCK: That's what I was suggesting.

JOHN: You, ripping off my clothes in a darkened swimming pool. People might talk.

MERLIN BBC - ARTHUR PENDRAGON\MERLIN
 

To side of the same coin

MERLIN: I'm happy to serve you until the day I die

 

Europen Bare Minerals

MEME

Meme stolen in flannery_flame

If I were a month: December
If I were a planet, Jupiter
If I were a marine animal: Dolphin
If I were a direction: North
If I were a tree, a fruit tree
If I were a flower: orchid
If I were a weather event:
rain If I were a color: red
If I were an element: earth
If I were a book "Family Portrait" by Danielle Steel
If I were a city: Rome or New York
If I were a word: friendship
If I were an object: i-pod
If I were a part of the body: brain
If I were a facial expression: If I were smiling
a school subject: Biology
If I were a shape: circle
If I were a perfume sugar phyllo
If I were a taste: salty
If I were a material: glass
If I were a food: potatoes
If I were a song: "Defying Gravity" from the musical Wicked, and "Imagine" by John Lennon or The Neverland "by Edoardo Bennato
If I were a sound: the sound of a piano
If I were an emotion: sadness
If I were an animal: cat
If I were an instrument: piano
If I were a mythical creature: unicorn XD
If I were a bird If I were an eagle
liquid milk
If I were an article of furniture: desk
If I were a time of day : two in the afternoon
If I were a day of the week: Monday
If I had a number: 1
If I were a fruit: berries
If I were a season: winter
If I were a painter: Picasso
If I were a poet Kahlil Gibran
If I had a time of day: Afternoon
If I were a means of transport: motorbike
If I were a garment: vest
If I were a program for PC: mhm ... I have no idea XDD
If I were a historical period: the first half of the twentieth century
If I were a sport: gymnastics
If I had a job: doctor
If I were a musical genre: a mix of XDD many
If I were a movie how can I choose one?
lol If I was a letter: A
If I were a party: Halloween
If I were a language: English
If I were a jewelry: bracelet with charms
If I were a name: Andrea
If I were a TV show: ahahaha, okay XDD I can not even click here XDD
If I were a region: Emilia Romagna
If I were a virtue: loyalty
If I had a defect: touchiness
If I were a video game no idea XD
If I were a weapon: weapons I do not like uu
If I were a greek god: Athena \\ Minerva
If I were an island: ... boh
o_O If I were a sculpture the Statue of Liberty is a sculpture ... no?
XD If I were an alcoholic drink: a cocktail, definitely
If I were a playing card: the ace of denare. It was my favorite childhood card because it seemed to me the most beautiful and powerful XD
If I were a star I do not know O_o

Multivitamin Fair And

love can not be required

"You can not demand love.
demand is unnecessary and makes arrogant. Begging is humiliating and makes pathetic.
Being loved is a miracle, a blessing. It does not happen at all and you can not do anything to make it happen to us.
Sometimes, not even be worthy enough. "

Failed To Login Rome Total War

MEME - My five favorite characters of 2010

SHELDON COOPER (Jim Parsons) - THE BIG BANG THEORY

" ; Bazinga! "

KURT HUMMEL (Chris Colfer) - GLEE

" I'm proud to be different. It's the best thing about me."

ARTHUR (JOSEPH GORDON LEVITT) - INCEPTION

"Paradox!"

JAMES "JIM" MORIARTY (ANDREW SCOTT) - SHERLOCK BBC

 

"Sorry boys! I'm soooo changeable! It is a weakness with me. But to be fair to myself, it is my only weakness."

ARTHUR PENDRAGON (BRADLEY JAMES)  - MERLIN BBC

 

“ You fight for your family. You fight for your friends. ”

 

How To Adjust Cliff Kleen

MEME - 5 My favorite show of 2010

 

THE BIG BANG THEORY

do not think there are words to describe this show! In my humble opinion is simply great and recommend it to all \\ OO / E 'was, perhaps, one of the best discoveries that has been done in relation to this show in 2010! Obviously, at least half of the greatness and genius of this show go to Sheldon and Jim Parsons * __ * But the whole cast is fantastic, as are the characters, the plots of episodes and the relationships between the characters
♥

SHERLOCK BBC

Eh, well that mean? "This was definitely the year of Sherlock Holmes from the film for me XD I saw prorpio in early January, the fic that I started writing this year, I reread the books as we had (and not only for compulsory school attendance XD). Finally, of course, with this wonderful series. I have truly adored immensely, as well as being very genial ♥ I found the perfect actors for the roles (I'm in love with Martin Freeman and Andrew Scott *___*), ingenious plots and respectful of the books, the transposition of the times modern and really well done, Needless to say?, piles of slash * __ * I'm looking forward to the autumn * wait for other episodes that give water as un'assetata *

MERLIN BBC

The BBC has officially become my favorite network XDD This third season of Merlin I loved it and I was much more passionate than I thought, especially the last part \\ O I loved the addition of many Knights as they go the eps and all other elements of the legend that has been made here and there ♥ Most of all I liked the character development and interpretation of Arthur Morgan, I found great * loves * Here, too, anxiously await the new season.

SKINS

As I have always arrive late, Skins was my late discovery of several time than the rest of the world loool The first season I would call almost perfect and I was completely conquered, but the second had some flaw, however, I have loved her. The first generation will always be my favorite, pg even though I love many of the latter. And though some things were done really troooooppo exaggerated, even in the last two seasons there are many nice things (no, I'm not talking about the shipp and Freddie Cook, why would anyone think that?) . There's only one thing that really can not stand Skins ... Well, actually two. First, the end. Too much, too open> \u0026lt;Especially, those who turn a blind cycle of a generation. That is, is there to stay so O_O And then, okay, the thing to change the entire cast every two years XD 'that becomes attached to a pg and then there is evil ; __;

GLEE

say that Glee is my latest discovery in terms of tf and we also say that I had said and repeated that I would never have seen XDD Well, I learned a great lesson: the saying "never say never" is absolutely true XDD The reason I started to see it is Kurt Hummerl \\ Chris Colfer, in my opinion, is one of the beings more ; pucci and loving on Earth * __ * And then, boh .. I just liked it lol And even though Kurt remains my favorite, now I love so many other pg. Besides having clearly in love with Dianna Agron *__________* And I think to fool me was the cast, because from the interviews and photos that I see seems a lot cast Puccio and combined ♥

How Do You Make The Battery On Poptropica -5?

Question of the Day: Christmas tree, burn!

Вы украшаете свой дом на праздники? Если да, то When you remove decorations, and when they take away?

See Answers (710)

decorate advance to the May-tidy)

Portland Oregon Water Taxis

Grintser, "Aeneid)

very good on-line Lecture caught lectures.edu.grintser about Aeneid, prophecies and ancient

"The Myth of Aeneas was ancient. In the Iliad »(XX, 300-307) stated that Aeneas, the son of Aphrodite and Anchises, was not destined to fall at Troy, and is destined - and he and his family - to rule over the descendants of the Trojans. At the time of Greek colonization of this myth is spread the Mediterranean and settled down in Italy: in the Etruscan tombs were found statues of Aeneas, Anchises outflow from Troy. With the rise of Rome in the III century myth becomes final form: Aeneas leaving Troy, after long wanderings sailed it to the edge of Latins, and his descendants founded Rome here. Son of Aeneas Askania was identified with Yul, an ancestor of kind Julio; Julius Caesar so proud origins, and Augustus portrayed on their coins Aeneas with Anchises on his shoulders. Most of the names mentioned in the "Aeneid" - Including Dido and Thurn - were in the legends and chronicles, and to Virgil, but they were only names, only filling empty pedigrees. Mythological epics on local materials in Latin poetry before Virgil was not.

Scene Selection was extremely successful. August as the savior of Rome is officially the second of its founder, and therefore a reminder of the first foundation of Rome was a timely and significant. August was considered a descendant of Julian, so the choice Aeneas, the hero turned out to be very appropriate. August came to power, defeating Antony and Antony, among others, was accused of love for the queen of the eastern and the intention Power to transfer the capital from Rome to the east, so the story of how an ancestor of the Roman people, by the will of the gods was sailing from Troy to the west, and even the love of Dido could not restrain him, acquires additional edification "...

"name of Troy is no more: Trojan grain dead and overgrown with new ears. The power of Rome over world - not a right, and the burden, it requires the carrying of the victims, and above all - the removal of the strife-prone passions (VI, 832: "Children, children, do not accustom the heart to these wars! "- a father Anchises drawn from the shadows - no less - Caesar and Pompey).

Cael Sanderson Wrestling Shoes 1.0

majolica


with this dish majolica podchevali Isabella Este!

	artist Nicola da Urbino, c.1480 - c.1538 now Fitzwilliam museum

Herstyler Instructions

Godard about Homer)

Mediterranean Sea and the intellect property
When we talk about the statues, then we say that "they are from another time." And when we say "from another time, we go on a journey, a voyage in the Mediterranean Sea. That's where there was cruise. I read a book by Leon Daudet, the polemicist of the century, which was called "Journey of Shakespeare." In it we are watching swimming in the Mediterranean Young Shakespeare, yet nothing is written. All this was going to, little by little.
How do you do all sorts?
There are no rules. It's like poetry, painting or mathematics. And, especially, the ancient geometry. The desire to create a shape, put a square into a circle, draw a tangent line. It is elementary geometry. And if it is elementary, then there are elements. And I'm showing the sea ... And here it is, it can not be described - is the association. And if we say "association", we can say and "socialism". If we say "socialism", we can talk about politics.
For example, the law Hadopi , the penalties for downloading, the artistic property.

I, of course, against Hadopi (adopted in France in 2009, controversial legislation designed to monitor compliance with copyright on the Internet - Approx. KINOTE) . Intellectual property does not exist. For example, I am opposed to inheritance. That children are artists can profit from copyright rights to the product of their parents - and why not, but only to their majority.

Doradztwo Gospodarcze I Finansowe

Graeco-Latin-XX)

who bought one dictionary Weismann is the first gift of the cabinet, raise hands?
yes! "Exceptional niche of the interview:

- How Greco-Latin Cabinet gets its name?

- Under "Account" means the room of a private house. In the 1990's all called their schools academies, we have decided that we can arrange just that, for what can be answered. Was still another reason: the idea of creating such institutions emerged in a remarkable study of Sergei Vasilyevich Shervinskogo, the grandfather of my wife, my teacher, with whom we worked together. This study was a remarkable library, paintings and sculptures. That is, the office - a small academic and artistic co-brane.

- What are the challenges faced by the founders?

- I studied and later worked at the Department of Classical Philology in 1969, so all the pros and cons education in this area I have been known since his student years. In Soviet times, is all withered and zahirelo. At the department had a library, but basically titles have been pre-revolutionary, almost the entire base - the pre-revolutionary. Modern-domain books published little or Greek texts are not published or comment ho-roshih publications or dictionaries. Even then I tried to do something, but then retired from MSU, and when, in 1990, the month of August, allowed private enterprises, I thought it must be decided. There was a certain freedom, so build your business and do what you feels right and necessary.

What should be the main task, it was clear from the first day of work. September 19, we would, if registered, and on the same day we started recording on the courses of ancient languages. This was correctly guessed, because nothing like this was not there. At the time, but philological and historical faculties of Moscow State University, taught Latin in medical schools, as well as the Institute of Foreign Languages. It was a very undeveloped area. The first who wrote about us was a French journalist who said that we have found «créneau exceptionnel», that is, exclusive niche. Because who else could get away with to organize a private, to teach the ancient languages, to publish the ancient authors and ancient texts? That the appearance of the Cabinet was a timely step, showed an incredible response to his creation: the first same day for half an hour before the appointed time was a queue, and all the courses enrolled 150 people.

teachers we had, mostly university. We immediately found support among the oldest then a university teacher Andrew Cheslavovich Kozarzewski. He's on our courses in the first year of reading liturgics; thanks to him we were able to declare and such a course. A.Ch. Kozarzewski - historian, teacher, local historian, a great connoisseur of Moscow, a man completely secular. But he childhood altarnichal in the Temple of Prophet Elijah in the ordinary street, absorbed the culture and heroically carried their faith and knowledge of the Church through the entire Soviet era. At all impressed that he is absolutely free, without any papers, reproduces the fine details of the service, sang all the voices and etc. Ancient languages taught classical scholar, so the lack of teachers we had.

Every year 5000 people begin studying the ancient Greek language.

- How did the publishing house? On which it focuses?

- Greco-Latin Cabinet and was initially reported as a publisher. First book that we published - Greek-Russian dictionary AD Weismann. We specifically took this edition because it is the best gymnasium dictionary, it's better only serves the texts are read in class. We have it published on this day unthinkable circulation - 50,000 copies. Dictionary expenses 10 years, and it was for us a joyous phenomenon: we firmly know that every year 5,000 people in Russia are beginning to explore the ancient Greek language.

By the standards of a publishing house, which is the only publication of books and deals, we have worked very counterproductive, because in twenty years we have published no more than 150 books, that is, every year we published for 6-7 books. But during this time we had the best modern textbooks on ancient literature, Greek philosophy, ancient languages: we have published books in Greek, AN Popov, A. C. Kozarzewski (which reprinted several times), educational anthology Wolf, who supplied by the job described grammar and grammatical, republished it fairly regularly, and to endow the new edition Audiocourses. About our editions can be more узнать на нашем сайте //
ps. mgl.ru/news
PPS Пишет philtrius ( philtrius )Museo Graeco-Latino viginti annos completos gratulor totoque corde Dominum oro, ut vivat crescat floreat, ut robustiore aetate magis etiam strenuus sit, ut non minore quam ante studio artes liberales colat, ne in libris edendis, quae doctrinas optimas propagent, ne in pueris educandis, ne in alio quolibet suo opere cesset, nec, quin hoc eventurum sit, dubito.

Acronis True Image Installation Was Interrupted

today Moscow .. Italian Middle

18 сентября (Saturday), lecture on art and poetry of the Middle Ages.

«Mary at the Crucifixion: update in art and religious poetry of Italy XIII century." Read by: Marco Rossi and Michele Colombo (Italy)

at the Cultural Center Pokrovsky Gates (street Pokrovka 27, page 1) known as Primus)

September 18 (Saturday) at 19.30, an open lecture on "Mary at the Crucifixion: update in art and religious poetry of Italy XIII century." Lecture read by Italian experts Marco Rossi and Michele Colombo .

this evening will discuss a new perception and image of the Blessed Virgin Mary's poetry and art of Italy XIII century: poetry Jacopone da Todi www.belpaese2000.narod.ru/Teca/Due/iacopone0.htm and works by Giotto, Cimabue, Pisano, Duccio.

Marco Rossi , professor of medieval art at Milan's Catholic University. Participant in numerous international conferences and author of over 150 scientific articles, a member of the Scientific Council of the journals "The Art of Lombardy," and "The Historical Miniature Magazine. A specialist in medieval iconography of Romanesque and Gothic art.

Michele Colombo , associate professor at the Catholic University of Milan. Specialist Milanese диалекту Средневековья.

 

Вход свободный.

 

1 Stabat Mater dolorosa Juxta crucem lacrymosa, Dum pendebat Filius, 2 Cujus animam gementem, Contristantam et dolentem Pertransivit gladius. 3 О quam tristis et afflicta Fuit ilia benedicta Mater unigeniti. 4 Quae morebat et dolebat, Pia Mater dum videbat Nati poenas inclyti. 5 Quis est homo qui non fleret, Christi Matrem si videret In tanto supplicio? Quis nоn posset contristari, Piam Matrem contemplari Dolentem cum Filio? Pro peccatis suae gentis Vidit Jesum in tormentis Et flagellis subditum, 6 Vidit suum dulcem natum Moriendo desolatum, Dum emisit spiritum. 7 Eia Mater fons amoris! Me sentire vim doloris Fac, ut tecum lugeam. 8 Fac, ut ardeat cor meum In amando Christum Deum, Ut sibi complaceam. 9 Sancta Mater istud agas Crucifixi fige plagas Cordi meo valide. Tui nati vulnerari, Tam dignati pro me pati, Poenas mecum divide. Fac me vere tecum flere Crucifixo condolere, Donec ego vixero. Juxta crucem tecum stare Те libenter sociare In planctu desidero. Virgo virginum praeclara, Mihi iam non sis amara, Fac me tecum plangere. 10 Fac ut portem Christi mortem, Passionis fac consortem Et plagas recolere. Fас me plagis vulnerari, Cruce hac inebriari Ob amorem Filii. 11 Inflammatus et accensus Per te, Virgo, sim defensus In die judicii. Fac me cruce custodiri, Morte Christi praemuniri, Confoveri gratia. 12 Quando corpus morietur, Fac ut animae donetur Paradisi gloria, Amen.

 

 

Стоит Мать скорбящая возле креста tear, where crucified son, whose soul groaning, darkened and grieved pierced sword. about how sad and disappointed was this blessed Mother begotten. As grieving and sadness, Good Mother, and shuddered, seeing terrible torments of His Son. What a sad man would, seeing Mother of Christ in such agony ? Who would not be marred, seeing the good Mother sorrow of the Son? for the sins of his people sees Jesus submitted tortured and flogged, sees his dear child dying, emitting spirit. Oh Mother, the source of love! Let me feel the power of sorrow, so I can cry with you. Grant that lit up my heart love for the Lord Christ, me to be pleasing to Him. Holy Mother, This facing the crucifix crying heal the wounds of my heart. Thy Son, flour, suffering for me, share with me. Let me sincerely bemoan the Crucified, while I'm alive. want to stand near the cross thee with longing and cry. Virgin Most Pure, that I was not so bitter, let me weep with thee. Make it so I could bear the death of Christ, share the suffering and mourn him. Let me weep over wounds here at the Cross beloved Son. from fire and flames thee, O Virgin, I'll be saved a day of reckoning. Leave me a cross, dead Christ forbid for enduring Thanksgiving. When my body dies, do so that the soul remained with glory in heaven, Amen.

Why Would I Have Warts On My Scalp

secular (and skaralnye) novosti.razvod

Heidecker, Karl. <i>The Divorce of Lothar II. Christian Marriage and
Political Power in the Carolingian World</i>. Translated from the
Dutch by Tanis M. Guest. New York: Cornell University Press, 2010. Pp.
x, 227. $45.00 £27.95. ISBN: 978-0-8014-3929-2.

   Reviewed by Glenn W. Olsen        University of Utah

Lothar II's divorce of his Queen, Theutberga, is one of the more
notorious events of late-Carolingian times, partly because it involved
the loquacious, learned, Hincmar of Reims. The accusations that flew
were themselves calculated to catch attention: Theutberga, some said,
had committed incest with her brother, a cleric. Much about this
scandal has never been clear.
Karl Heidecker, University Lecturer in
Medieval History at the University of Groningen, attempts in this book
to sort out the often confusing evidence about Lothar's divorce, and
gives us a narrative of it, placed in the framework of both the power
politics of the time, and of the development of Christian marriage. It
is not so much that Heidecker tells us things previously unknown about
Carolingian marriage, though he does correctly on many previous scholars
points, but That he skillfully draws on what is Known
to tell His story. The picture emerges of a disunified frustrated by the Church
Political Machinations of the Carolingian world in ITS
Attempt to Impose Its Own Varying understandings of marriage on society. In the event the divorce
Becomes the center of a story of family dynamics and
Often the fragile relationships Between the holders of high office, clerical and lay
.

A Preface Explains That this volume is a translation and revision of
\u0026lt;i> Church, marriage and political power: The case of Lothar II (855 -
869) \u0026lt;/ i>, Which Should Be Referred to by scholars who want a more
exhaustive treatment of some detailed material and sources omitted in
order to make this translation more accessible to a wider readership.
New material has also been added to the original version. An
Introduction places the story within the framework of the development
of monogamous, indissoluble, marriage and an uncertain law of
marriage. This opened divorce to political pressures, and thus
provides a window into the political machinations and manipulation of
public opinion of the age. The influence of the case did not die with
its participants, and Heidecker traces also its entrance into later
political argument. Heidecker labels the case a "marital drama," and
gives a brief description of it. He calls the various educated men who
commented on it a "chorus" speaking with many voices. I do not find
the device of treating Lothar's divorce as a drama particularly
effective, but it also is not troublesome. There follow summaries of
the Church's rules on marriage and the political and religious
background. Heidecker refers to the usage of <i>christianitas</i> (5),
Christendom, as confusing the ideas of "realm" and of "Church."
Perhaps it would be better to say that Christendom referred to a sense
of sharing in a common religion and culture. This could be a culture
broader than that of a region or nation, without a governmental
structure or center, other than the papacy as in some measure a symbol
of Christian unity. Of course, as in the example given on p. 87,
<i>christianitas</i> could also simply mean "Christianity."

Part I, "Preparing the Drama," is subdivided into two sections, the
first of which is on "The Church's Regulations on Marriage from the
Eighth to the Mid-Ninth Century." Here we move from an eighth-century
situation in which the rules concerning divorce were unclear to a mid-
ninth century situation in which there had been considerable
clarification, with greater episcopal agreement on the rules of
marriage. This, as the entire book, is bibliographically well informed
and clearly written (or translated: I am no expert in Dutch, but when
I first read the original Dutch, it seemed to me clearly expressed, as
is the translation). There is a useful discussion of Pseudo Isidore. I
do not think one gets as good an idea of the variety of marriage
practices as from my "Marriage in Barbarian Kingdom and Christian
Court: Fifth through Eleventh Centuries," <i>Christian Marriage: A
Historical Study</i>, ed. Glenn W. Olsen (New York: Herder and Herder,
2001), 146-212, but then again on some matters Heidecker's treatment
is superior. The second section describes the sources upon which our
understanding of Lothar's divorce rests.

Part II, the remainder of the book, is titled "A Marital Drama in Six
Acts." The first act/chapter treats Lothar's ascension to the throne
and marriage to Theutberga. I would have either foresworn or given
more precision to the idea that the anointing of Lothar II gave him a
"semiclerical status (55)." Act two describes Lothar's subsequent
unsuccessful attempt between 857 and 859 to divorce Theutberga. This
involved the accusation that Theutberga had committed sodomy with her
brother, Hucbert. Then, in Heidecker's words "On top of that,
according to the wildest and most bizarre of the rumors, Theutberga
supposedly aborted the fruit of that incestuous relationship (63)."
Now, as it happens, a part of a chapter of a book on sodomy I have in
press treats this incident, and a comment or two is in order. Today
"sodomy" can mean a number of things, but likely it is most commonly
understood to designate "anal intercourse." But on such an
understanding, the accusations would not have been just wild and
bizarre, but would have to mean that Theutberga had done something
impossible, conceived a child as the result of anal intercourse.
Heidecker says that though "even" ninth-century people would likely
have understood that pregnancy from such an act was "unlikely,"
Hincmar considered it preposterous. I should have thought that, such
being so, some thought and discussion should have been devoted to what
this accusation could have meant. This whole Carolingian controversy
over <i>sodomia</i> has the potential for upsetting Mark Jordan's
account of <i>The Invention of Sodomy</i>, but Heidecker seems unaware
of Jordan's book. In any case I would have thought that curiosity
should have led Heidecker into exploration of the language people used
of Theutberga's alleged act, and of its possible meaning, more than he
pursues.

In act three, on Lothar's second attempt at divorce, Heidecker, as
elsewhere, embraces a salutary skepticism in regard to our principal
source for these events, Hincmar of Reims, whose views on marriage and
divorce are given in some detail. In general I find Heidecker's
reading convincing. Although Heidecker makes some good comments on
"equality" in marriage in a ninth-century context, here and elsewhere
he sometimes assumes an explanatory framework coming from our times:
the verses in Ephesians on marriage are taken to evidence the
privileged position of the man in marriage, but no comment is made on
the implications of the teaching that the man is to the woman as
Christ is to the Church, i.e., intended to pour himself out in self-
sacrifice. As part of this we return to the charge of sodomy.

Act 4 is on "Lothar's Allies and His Marriage to Waldrada, 860-62." As
elsewhere, occasionally the translations can be a little jarring: I
suppose the biblical "better to marry than burn" lies behind "better
to marry than to live in lechery (103)," but the biblical passage does
not necessitate the presence of assent, while the use of "lechery"
does. There is an especially useful presentation of the evolution of
historical study of "Germanic concubinage."

In Act 5 "Pope Nicholas Intervenes and Theutberga Is Reinstated, 863-
67." Again from time to time one wishes for a bit more precision. The
criteria for a lawful marriage are listed as "the bridal gift, the
witnesses, the wedding ceremony, and the public nature of the wedding
(152)," all of which Heidecker calls "secular." True enough, all of
these criteria had a non-Christian source, but by the ninth century
few could sort out where the various elements of marriage had come
from, and, unless "secular" be defined further, were a mixture of
traditions, "sacred" and "secular." The final act concerns a new pope,
Adrian II, and Lothar's last battle. Here Heidecker treats Adrian's
marriage rules and claims to power. Finally come Lothar's last attempt
to preserve his realm, and his death. An Epilogue treats "Lothar's
Reputation and His Descendants." The annalists and chroniclers who
wrote after it were unanimous in judging Lothar's last attempt to put
his marital affairs in order a failure, Hincmar seeing his death as a
judgment of God.

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The Surprising Life

due to the fact that the entire Internet fixated on Writing skirmish two ladies want to remind you that there are other ladies who write. and much more interesting. Here Judith Herrin,-nice in all respects, Lady! wrote a story romeyskoy imperii.i, published)

Herrin, Judith. \u0026lt;i> Byzantium. The Surprising Life of a Medieval
Empire</i>. Princeton: Princeton University Press, 2010. Pp. 440.
$19.95. ISBN-13: 978-0-691-14369-9.

 Reviewed by Danielle Slootjes
      Radboud University Nijmegen
      d.slootjes@let.ru.nl


When Judith Herrin, one of the best known scholars on Byzantium,
was asked by workmen in her office building what Byzantine History
is, she decided it might be time to write a history of the
Byzantine Empire which would explain to a broader audience what it
is that makes the Byzantine world so exciting, lively, mysterious
and above all, difficult to grasp. The result of her undertaking is
the book under review.

The book is divided into four parts that together contain twenty-
eight chapters, which have a chronological as well as a thematic
approach. In the first part, <i>Foundations of Byzantium</i>,
Herrin concentrates on the early history of the Byzantine Empire,
in which she skillfully interweaves themes such as the foundation
of the city of Constantinople, the rise of Christianity, or the
mosaics of Ravenna with a chronological narrative.

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exhibition

mostra это не монстра. however, in Venice, even the monsters would be perfect. importantly, there is not building homes Luzhkov monsters. and bold ideas are shown on the background of preserved Serene Republic. on italnski infa here

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Italy calls for a moratorium on deep-sea drilling in the Mediterranean Sea, having learned about the plans of British Petroleum BP's drill to a depth of 1.7 kilometers eco.rian.ru/nature/20100802/260903101.html

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Question of the Day: Grass - a drug?

Why Marijuana, unlike tobacco, is not legalized?

Sent (a) dedebell

See Answers (1228)

not prepay - and all. manufacturers of tobacco and cigarettes have spent a lot of money to lobby and advertise.

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mar_nostrum @ 2010-07-04T13: 24:00

nowhere with love Eleventh

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british library


British Library-it horosho.i of manuscripts = first Italian gizmos said to me. and generally tried to the public, a glossary терминов в кратинках чего стоит prodigi.bl.uk/illcat/welcome.htm

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knigi.retsenzii

Verdeyen, Paul, ed. Guillelmus a Sancto Theoderico. <i>Opera Omnia</i>, IV-V.
Corpus Christianorum Continuatio Mediaeualis 89-89A.
Turnhout: Brepols, 2005-2007. Pp. xix, 139. ISBN: 2503038913, and pp.
215, ISBN: 250303893X.
 Reviewed by Constant J. Mews      Monash University
     William of Saint-Thierry is a thinker who has tended to languish in
the shadow of his more well-known friend, Bernard of Clairvaux. Yet
the edition of his <i>Opera Omnia</i> by Paul Verdeyen provides the
opportunity for scholars to revisit this author, perhaps most often
remembered for having asked Bernard to intervene against Peter
Abelard. Verdeyen introduced this project with his edition of
William's commentary on Romans, CCCM 86 (1989), prefaced with a useful
introduction to this author, born around 1075 (thus fifteen years
younger than Bernard) and abbot of Saint-Thierry in Reims from Lent
1121 until 1135 when he joined the Cistercian Order at Signy. There
followed a volume (CCCM 87, 1997), containing his important brief
commentary on the Song of Songs (from around 1130), and his
compilation from both Ambrose and Gregory on that text, and another
(CCCM 88, 2003) containing editions of a range of smaller treatises,
<i>De contemplando Deo</i> and <i>De natura et dignitate amoris</i>
(from 1121-24), <i>De sacramento altaris</i> (addressed to Rupert of
Deutz around 1127), the <i>De natura corporis et animae</i> (around
1138) and the <i>Epistola ad fratres de Monte Dei</i> (1144-1145).
Part IV of the <i>Opera Omnia</i> provides an edition of his
<i>Meditationes devotissimae</i>, probably written while he was still
at Saint-Thierry, but completed soon after he came to Signy in 1137.
These are philosophical meditations, in the spirit of St Anselm. They
move from reflection on the wisdom and knowledge of God, to reflection
on <i>amor</i>, as the goal of the spiritual life.

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city and community

Oldfield, Paul. <i>City and Community in Norman Italy</i>. Series:
Cambridge Studies in Medieval Life and Thought: Fourth Series, 72.
Cambridge:  Cambridge University Press, 2009.  Pp. 310.  $99.00.
ISBN-13: 9780521898041.

 Reviewed by Louis I. Hamilton
      Drew University
      lhamilto@drew.edu


Paul Oldfield's <i>City and Community</i> contains a wealth of detail
from the lives of the cities of primarily Apulia and Campagna in the
eleventh and twelfth centuries.  The five-page bibliography of primary
sources in printed editions not only reveals the breadth of his survey
of the material but also makes this work an invaluable resource for
all scholars and students of medieval Italy.  Such a concentrated
survey of urban life in southern Italy is a unique and difficult
undertaking, and most welcome.  <i>City and Community</i> comes out of
Oldfield's thesis as will be apparent to the reader.  The wealth of
material that Oldfield collects is both the strength and great
weakness of the work as Oldfield's broader analytic point and overall
thesis is too often lost in loosely organized details.  This work will
ultimately, I believe, prove an important starting point for future
research on urban life in Norman Italy.

Oldfield is concerned to demonstrate that, despite an entrenched
historiography that has long since marginalized the cities of southern
Italy, the cities of Norman Italy developed and retained elements of
independence, self-governing, and civic identity.  Oldfield is correct
to challenge the portrait of southern Italy as "more a passive object
than actor in history," as Giovanni Tobacco once described it (5).  In
this traditional portrait, urban creativity and liberty were crushed
by church and state alike.  Oldfield offers much evidence that reveals
the cities of southern Italy as anything but passive and oppressed.

It should be noted that the title is <i>City and Community</i>, not
"city and commune."  The latter is a concession to the limited
authority of the citizens of southern Italy.  Oldfield defines
communal as "an adjective meaning 'that which relates to or benefits
the community.'  It is not to be associated with the commune as an
institution unless this is specifically indicated" (7).  Such a
definition obviously begs the questions, what is "the community," who
defines what "benefits" it, and how and by whom was that benefit
attained?  In this definition, a royal privilege granted to a monastic
community, a bishop's household, a guild, or a group of self-described
citizens are all equally "communal" actions.  A more limiting, but
traditional definition of the commune as a sworn association formed
with the purpose of governing public activity within urban areas would
have loaned greater clarity to Oldfield's work.  It would have also
allowed more ready comparison with urban transformations on the rest
of the Italian peninsula.  Nor was it necessary for Oldfield to invent
such a distinction as he offers evidence of sworn associations
(societies, for ex.) exerting independent authority within the city.
In addition, he repeatedly discovers the traditional actors of the
communes (<i>boni homines, iudices, cives</i>, etc.) acting with
common interests, even if without direct evidence for a sworn
association.  A more traditional definition would not only have been
more precise but would have enabled greater integration of the two
historiographies of medieval Italy.  The equally thorny question of
what defines a city is dealt with in the more typical manner, albeit
imprecise, of confining the study to the self-described
<i>civitas</i>.

The first part of the work, "Urban Government and Communal
Independence," provides a chronological overview of the effects, or
lack thereof, of the Normans on the urban centers of southern Italy.
The first chapter, "Before 1085: the arrival of the Normans," is
filled with tantalizing clues of a vibrant urban life in the eleventh
century.  One wishes that the <i>cives, boni homines</i>, or
<i>iudices</i> (23, 25) that Oldfield has discovered in his research
or the uprising against ducal control that he thinks "may be evident
of incipient communal participation in civic affairs" were more
closely scrutinized in their details.  This book is filled with such
clues that will surely become the basis of future research.  Chapter
two highlights the absence of Ducal presence in cities like Troia and
Bari.  In Bari in particular the Byzantine elite appeared to have
retained their titles through the eleventh century.  The situation in
the cities became more fraught in the early twelfth century with
Benevento and Capua asserting greater independence from the Norman
dukes and Bari, Gaeta, Trani and Troia following suit more or less.
Bari, Gaeta and Trani appear to have experienced the greatest
independence although the organization of the chapter requires the
reader to construct the comparisons with some difficulty.  Here, at
least, Oldfield is using the more traditional phrase "communal
institutions."  Chapter three contends that the years of civil war
from 1127-39 did not result in an abandonment of civic privileges but
reveals much greater continuity with the privileges gained in the
preceding two generations than had been previously thought.  This
relative, and surprising, independence continued on the mainland
through the early thirteenth century.

Part two of the book, "Urban society: community identity and wealth,"
largely attempts to survey social identity within the cities and is
less successful.  Intriguingly, Oldfield notes that the term
<i>cives</i> is increasingly popular in the twelfth century and that
it denotes greater social status although it admittedly cannot be
precisely defined (180).  He mentions in passing a greater emphasis on
civic rights at the expense of civic custom with little effort made to
explain what seems a remarkable observation (182).  A close
examination of the context of that evidence might have enabled greater
causal explanation.  As is often the case, one wishes that Oldfield
could have presented the reader with a range of examples of the use of
the term so that the reader could either better understand his
reluctance to impose precision or understand the spectrum of possible
meanings he has discovered.  Chapter seven, "The Community," is
perhaps the least satisfying in the entire work, but again tantalizing
clues abound.  His argument that the distinction between the (ill-
defined) categories of "elites," "middle" and the "edges" of society
is imprecise, is unsurprising.  Still, we are treated to a wealth of
detail; the neighborhoods of different cities are sprinkled throughout
the chapter (198-202 for example) and would repay revisiting and
reorganizing by individual city.  If it matters that the tanners were
located outside of the cities, then it would matter where outside a
given city they were located as it might tell us something about the
status of the community they were near.  Physical proximity may or may
not reveal interconnectedness but it is certainly worth knowing to the
extent possible.  A social map does not, but could emerge from these
pages. Saracen slaves are briefly considered but the Jewish community
gets closer discussion here as well (206-15).  Chapter eight on the
bishop is brief but reveals the interconnectedness of episcopal
household and civic identity.  The final chapter on the economy is an
interesting sketch of the extent and limits of urban trade
organization and Mediterranean-wide exchange drawn from a range of
sources, from pilgrimage accounts to privileges and charters.

Oldfield has brought together a wide range of evidence and materials
that reveal the complexity of urban life in Norman southern Italy.  In
doing so, he has achieved the objective he set for the work.  This
work will be useful to future scholars interested in both precise
portraits of individual cities and reintegrating the urban history of
medieval Italy.

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More on this topic

• Benitez could lead Inter Milan on Monday
• 07.06.2010
• Marca: Steven Gerrard has agreed to move to Real Madrid
• 06.06.2010

2010 Benitez coached English "Liverpool have won with this team Cup and FA Community Shield and the UEFA Champions League and UEFA Super Cup (2005). Lenta.ru 17:14

Benitez, who left Liverpool for last week, will replace the "Inter" Portuguese Jose Mourinho, who in his turn, moves to Real Madrid. " BaltInfo.ru 17:07
enough roigryvat! Basta

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canon law

The Medieval Review Who: tmr-l

Show details 5:27 (8 hours ago)

Brasington, Bruce C. and Kathleen G. Cushing, eds. \u0026lt;i> Bishops, Texts
and the Use of Canon Law around 1100. Essays in Honour of Martin
Brett \u0026lt;/ i>. Series: Church, Faith and Culture in the Medieval West.
Aldershot: Ashgate Publishing, 2008.  Pp. 224. $99.95. 
Reviewed by John S. Ott /  Portland State University
     
Over the past several years, the community of canon law scholars has
been busily fêting its luminaries.  <i>Festschriften</i> have appeared
for Peter Landau (2000), Roger Reynolds (2004), Kenneth Pennington
(2006), and Linda Fowler-Magerl (2008); another is on the way for
Robert Somerville.  Martin Brett joins their company in this volume of
fourteen essays co-edited by Bruce C. Brasington and Kathleen G.
Cushing.  Both editors have worked directly with the honoree in their
own scholarship; Brasington, for example, has partnered with Brett to
produce an on-line and fully accessible edition of the
<i>Panormia</i>, an influential, late eleventh-century canon law
collection until recently attributed with few qualms to Ivo of
Chartres. [1]  Besides the <i>Panormia</i>, Brett has worked many
years to produce new editions of the <i>Tripartita</i> (also once
attributed to Ivo) and the <i>Decretum</i> (still attributed to him),
as well as the eleventh- and twelfth-century episcopal <i>acta</i> of
Canterbury, and a variety of other projects.  Even to casual observers
of the field of canon law studies, Brett has surely earned this
volume, as the warm praise of its contributors for his work makes
clear.

Following a modest homage to Brett--a list of his publications appears
at the end of the volume (215-220)--and a survey of the volume's
contents (1-3), the editors have divided the essays into two groups:
"Bishops and their Texts" and "Texts and the Use of Canon Law."  The
first group favors contributions which explore bishops' involvement in
the compilation and transmission of canon law collections; the second
group of essays addresses the methods, motives, and interpretations of
the collections' compilers.  The distinctions are by no means
absolute, and one can easily imagine other ways of organizing the
contents of the volume (for example: paleographical and codicological
studies in one group; studies focusing on the formal sources of law
collections in another; and the social, political, and pastoral
applications of canon law in a third).  Nearly all the essays concern
the compilation and transmission of canon law in the period before
Gratian, and studies of the Ivonian corpus and the <i>Collectio
Lanfranci</i>, central to much of Brett's own work, dominate a
significant portion of the volume. Many of the contributions include
new editions of previously unpublished texts.

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history of christianity

Noble, Thomas F. X. and Julia M. H. Smith, with R. A. Baranowski, eds.
<i>The Cambridge History of Christianity</i>, Volume 3: <i>Early Medieval Christianities, c. 600-c. 1100</i>.  Cambridge:  Cambridge
University Press, 2008.  Pp. xxix, 846.  GBP 105.00, $175.00.  ISBN:9780521817752.
 Reviewed by Raymond Van Dam      University of Michigan
     
The <i>Cambridge Histories</i> are one of the crown jewels of the many
great academic resources published by Cambridge University Press.  Now
that universities can purchase on-line subscriptions to the
<i>Histories</i> for their faculty and students, it has become much
easier to sample the riches available both within and outside our own
specialized fields.  We scholars in ancient and medieval studies have
of course focused on volumes in <i>The Ancient History</i> and <i>The
New Medieval History</i>, with perhaps occasional glances at the
series on religions.  Judaism and Islam have already received their
own <i>Histories</i>.  But for Christianity CUP has so far published
only <i>The History of the Bible</i> and <i>The History of Early
Christian Literature</i>.

<i>The Cambridge History of Christianity</i> is a new series, with
volumes 1 and 2 published in 2006 and 2007 respectively.  This third
volume now covers the early medieval period from 600 to 1100, from
pope Gregory the Great, whose mission to England "has conventionally
been regarded as a starting point in the history of western
Christianity" (13), to pope Gregory VII, whom the German king Henry IV
ridiculed as "no pope but false monk" (625).
www.cambridge.org / uk / catalogue / catalogue.asp

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Question of the day: Mark my words

What makes your life special, and fills it with meaning? Do you think that you need to keep a long memory about myself in this world? If yes, in what form it should be expressed?

Sent (a) lekook

See Answers (939)

do you think that you need to keep the memory of me? If yes, in what form?
LJ:)?! At least on LJ do not require any gratitude for what he brought.
as a historian, I say, do not leave a lot of long memory! humanity so much left a long memory of the war, hostility and hatred, stupidity, that this would be sorted out. (well, if anyone is sure that he could leave by itself only good memories = then go ahead. but usually the longest-remembered bad ... better to leave a fleeting memory, "the note at the head of" mood, small gifts to friends, which makes sense, until you remember that meaning together.

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Lee medievalnaya

Site news Orbis medievalis


13 May 2010 Prof. Michael Borgolte (Humboldt University, Berlin) read the report "Uslada gaze in the country of infidels. How religion defines the knowledge of + foreign Christians and Muslims in the Middle Ages / report in German Language /
Venue: Conference Room GIIM, 18:00

in the hall of the General History Historical Library deployed two small exhibition of books from the collections of the Historical Library:
1. Hundred Years War and the rebirth of France (XIV-XV cc.)
2. The Catholic Church during the Middle Ages mature

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Guerrieri et Amorosi

\u0026lt;/ lj-embed>

\u0026lt;/ div> ps sad days of course, these May "holidays" 8-10. but you know, I'm old as the stories told about love during voyny.voyna and tears and love. just Madrigali Guerrieri et Amorosi and LACHRIMAE ANTIQUAE!
war is not pretty. by definition. and here, so beautiful! perhaps because for a long time?

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2010 Scrapbook;

default icons;

© mata090680 2009 - Jan04	© icon_whisper Jan04 - 07	© mirrorskies jan07 -?

movies;

• January 01) Hey There Delilah
02) A love of 5 stars (Maid in Manhattan)
03) A My Blueberry Nights (My Blueberry Nights)
04) Cabaret
05) I Love You, Man
06) My Life as a Garden State (Garden State)
07) Wall-E
08) Avatar (*)
09) Easy Virtue (Easy Virtue)
10) A Single Man (*)
11) Die Mommie Die
12) The Accidental Husband

• February 13) The Princess and the Frog
14) Nine (*)
15) Among the Clouds (*)
16) What happened to Morgan? (*)

•
March 17) Alice in Wonderland (*)
18) Employees ... Evil! (Office Space)
19) Confessions of a Shopaholic (Confession of a Shopaholic)
20) All the Little Black Book (Little Black Book )
21) Pretty Persuasion
22) Blow
23) Valentine's Day (Valentine's Day) (*)
24) The Wonderful World of Ella (Ella Enchanted)
25) The Jane Austen Book Club (The Jane Austen Book Club)
26) Brazil

April:


27) Shortbus
28) Blondie
29) I Love You Philip Morris (*)
30) Romanzo Criminale
31) Blood and Chocolate

(*) watched at the theaters

books;

01) Sanctuary (Sanctuary); W. Faulkner
02) Gang Bang (Snuff), C. Palahniuk
03) Farewell to Arms (A Farewell to Arms), E. Hemingway

Currently reading:
• American Gods; N. Gaiman
• U2: The Name of Love; A. Morandi

series;

• January
01) Battlestar Galactica, 1.02, Water
02) Battlestar Galactica, 1.03, Bastille Day
03) Generation Kill, 1.01, Get Some
04) Generation Kill, 1.02, The cradle of civilization
05) Generation Kill, 1.03, Screwby
06) Battlestar Galactica, 1.04, Act of Contrition
07) Generation Kill, 1.04, Combat Jack
08) Generation Kill, 1.05, A Burning Dog 
09) Battlestar Galactica, 1.05, You Can't Go Home Again
10) Generation Kill, 1.06, Stay Frosty
11) Generation Kill, 1.07, Bomb in the Garden
12) Battlestar Galactica, 1.06, Litnus
13) Battlestar Galactica, 1.07, Six Degrees of Separation
14) Battlestar Galactica, 1.08, Flash and Bone
15) Battlestar Galactica, 1.09, Tigh me up, tigh me down
16) Battlestar Galactica, 1.10, The Hand of God
17) Battlestar Galactica, 1.11, Colonial Day
18) Battlestar Galactica, 1.12, Kobol's Last Gleaming Part. 1
19) Battlestar Galactica, 1.13, Kobol's Last Gleaming Part. 2
20) Angel, 4.04, Slouching Towards Bethlehem
21) Angel, 4.05, Supersymmetry
22) Angel, 4.06, Spin the Bottle
23) Angel, 4.07, Rain of Fire
24) How I Met Your Mother, 5.12, Girls versus Suits
25) Battlestar Galactica, 2.01, Scattered
26) Battlestar Galactica, 2.02, Valley of Darkness
27) Battlestar Galactica, 2.03, Fragged
28) Heroes, 4.13, Upon this Rock
29) Heroes, 4.14, Let it Bleed
30) Battlestar Galactica, 2.04, Resistance
31) Battlestar Galactica, 2.05, The Farm
32) Battlestar Galactica, 2.06, Home Part.1
33) Battlestar Galactica, 2.07, Home Part.2
34) Battlestar Galactica, 2.08, Final Cut
35) Battlestar Galactica, 2.09, Flight of the Phoenix
36) Battlestar Galactica, 2,10, Pegasus
37) Battlestar Galactica, 2.11, Resurrection Ship Part.1
38) Battlestar Galactica, 2.12, Resurrection Ship Part.2
39) Battlestar Galactica, 2.13, Epiphanies
40) Battlestar Galactica, 2.14, Black Market
41) Battlestar Galactica, 2.15, Scar
42) Battlestar Galactica, 2.16, Sacrifice
43) Battlestar Galactica, 2.17, The Captain's Hand
44) Battlestar Galactica, 2.18
45) Battlestar Galactica, 2.19
46) Angel, 4.08, Habeas Corpses
47) Battlestar Galactica, 2.20
48) Battlestar Galactica, 3.01, Occupation
49) Supernatural, 5.01, Sympathy for the Devil
50) Battlestar Galactica, 3.02, Precipe
51) Supernatural, 5.02, Good God, Y'all
52) Battlestar Galactica, 3,03, Exodus Part.1
53) Supernatural, 5.03, Free to be you and me
54) Battlestar Galactica, 3.04, Exodus Part.2
55) Supernatural, 5.04, The End
56) Battlestar Galactica, 3.05, Collaborators
57) Supernatural, 5.05, Fallen Idol
58) Battlestar Galactica, 3.06, Torn
59) Supernatural, 5.06, I Believe the Children are our Future
60) Battlestar Galactica, 3.07, A Measure of Salvation
61) Battlestar Galacticq, 3.08, Hero
62) Battlestar Galactica, 3.09, Unifinished Business
63) Supernatural, 5.07, The Curious Case of Dean Winchester
64) Supernatural, 5.08, Changing Channels
65) Supernatural, 5.09, The Real Ghostbusters
66) Supernatural, 5.10, Abandon All Hope
67) Supernatural, 5.11, Sam, Interrupted
68) Angel, 4.09, Long Day's Journey
69) Angel, 4.10, Awakening
70) Angel, 4.11, Souless
71) Angel, 4.12, Calvary
72) Angel, 4.13, Salvage
73) Angel, 4.14, Release
74) Angel, 4.15, Orpheus
75) Angel, 4.16, Players
76) Angel, 4.17, Inside out
77) Grey's Anatomy, 6.11, Blink
78) Bones, 6.11, The X in the File
79) The Mentalist, 2.11, Red-Colored Glasses
80) How I Met Your Mother, 5.13, Jenkins
81) The Mentalist, 2.12, Bleeding Heart
82) Grey's Anatomy, 6.12, I Like You So Much Better When You're Naked
83) Battlestar Galactica, 3.10, The Passage
84) Heroes, 4.15, Close to You
85) Bones, 5.12, The Proof in the Pudding
86) Heroes, 4.16, Pass/Fail
87) Battlestar Galactica, 3.11, The Eye of Jupiter
88) Battlestar Galactica, 3.12, Rapture
89) Battlestar Galactica, 3.13, Taking a break from all your worries
90) Battlestar Galactica, 3.14, The Woman King
91) Battlestar Galactica, 3.15, A day in the life
92) Battlestar Galactica, 3.16, Dirty Hands
93) Battlestar Galactica, 3.17, Maelstrom
94) Battlestar Galactica, 3.18, The Son also Rises
95) Battlestar Galactica, 3.19, Crossroads part.1
96) Battlestar Galactica, 3.20, Crossroads part.2
97) E.R., 1.21, House of Cards
98) E.R., 1.22, Men Plan, God Laughs
99) E.R., 1.23, Love Among the Ruins
100) Battlestar Galactica, 4.01, He That Believeth in Me
101) Battlestar Galactica, 4.02, Six of One
102) Battlestar Galactica, 4.03, The Ties that bind
103) Battlestar Galactica, 4.04,
104) Battlestar Galactica, 4.05,
105) Battlestar Galactica, 4.06, Faith
106) Supernatural, 5.12, Swap Meat
107) E.R. 1.24, Motherhood
108) Battlestar Galactica, 4.07, Guess what's going to dinner
109) Heroes, 4.17, The art of deception
110) Battlestar Galactica, 4.08, Sine Qua Non
111) Battlestar Galactica, 4.09, Hub

• February

112) Battlestar Galactica, 4.10, Revelations
113) Battlestar Galactica, 4.11, Sometimes a Great Notion
114) Battlestar Galactica, 4.12, A Disquiet Follows my Soul
115) Bones, 5.13, The Dentist in the Ditch
116) Battlestar Galactica, 4.13, The Oath
117) Battlestar Galactica, 4.14, Blood on the Scales
118) Lost, 6.01, LA X part. 1
119) Lost, 6.02, LA X part. 2
120) Grey's Anatomy, 6.13,
121) How I Met Your Mother, 5.14, Perfect Week
122) Heroes, 4.18, The Wall
123) Bones, 5.14, The Devil in the Details
124) Angel, 4.19, The magic bullet
125) Angel, 4.20, Sacrifice
126) Angel, 4.21, Peace out
127) Angel, 4.22, Home
128) How I Met Your Mother, 5.14, Rabbit or Duck
129) Battlestar Galactica, 4.15, No Exit
130) Battlestar Galactica, 4.16, Deadlock
131) Battlestar Galactica, 4.17, Someone to watch over me
132) Battlestar Galactica, 4.18, Islanded in a stream of stars
133) Battlestar Galactica, 4.19, Daybreak Part.1
134) Battlestar Galactica, 4.20, Daybreak Part.2 - Part3
135) The Mentalist, 2.13, Redline
136) Supernatural, 5.14, My Bloody Valentine
137) Lost, 6.03, What Kate Does
138) Grey's Anatomy 6.14, Valentine's Day Massacre
139) Heroes, 4.19, Brave New World
140) Angel, 5.01, Conviction
141) Angel, 5.02, Just rewards
142) Angel, 5.03, Unleashed
143) Angel, 5.04, Hell bound
144) Band of Brothers, 1.01, Currahee
145) E.R., 1.25, Everything Old Is New Again
146) E.R., 2.01, Welcome Back, Carter!
147) E.R., 2.02, Summer Run
148) Caprica, 1.01, Pilot
149) Band of Brothers, 1.02, Day of Days
150) Caprica, 1.02, Rebirth
151) Caprica, 1.03, Reins of a Waterfall
152) Grey's Anatomy, 6.15,
153) Band of Brothers, 1.03, Carentan
154) Lost, 6.04, The Substitute
155) Band of Brothers, 1.04, Replacements
156) Caprica, 1.04, Gravedancing
157) Law and Order UK, 1.01, Care
158) Band of Brothers, 1.05, Crossroads
159) Law and Order UK, 1.02, Unloved
160) Band of Brothers, 1.06, Bastogne
161) That '70s Show, 2.26, The Moon Over Point Place
162) That '70s Show, 3.01, Refeer Madnes
163) That '70s Show, 3.02, Red Sees Red
164) That '70s Show, 3.03, Hyde's Father
165) That '70s Show, 3.04, Too Old To Trick Or Treat, Too Young To Die
166) That '70s Show, 3.05, Roller Disco
167) Law and Order UK, 1.03, Vice
168) Law and Order UK, 1.04, Unsafe
169) Law and Order UK, 1.05, Buried
170) Law and Order UK, 1.06, Paradise
171) Law and Order UK, 1.07, Alesha
172) That '70s Show, 3.06, Eric's Panties
173) That '70s Show, 3.07, Baby Fever
174) That '70s Show, 3.08, Jackie Bags Hyde
175) Lost, 6.05,
176) Band of Brothers, 1.07, The Breaking Point

• March

177) Angel, 5.05, Life of the party
178) Angel, 5.06, The cautionary tale of numero cinco
179) Angel, 5.07, Lineage
180) Angel, 5.08, Destiny
181) Angel, 5.09, Harm's way
182) Angel, 5.10, Soul purpose
183) Caprica, 1.05, There Is Another Sky
184) Band of Brothers, 1.08, The Last Patrol
185) Band of Brothers, 1.09, Why we fight
186) Band of Brothers, 1.10, Points
187) How I Met Your Mother, 4.16, Hooked
188) Angel, 5.11, Damage
189) Angel, 5.12, You're Welcome
190) Angel, 5.13, Why We Fight
191) Angel, 5.14, Smile Time
192) Law and Order UK, 2.01, Samaritan
193) Law and Order UK, 2.02, Hidden
194) Lost, 6.06,
195) Law and Order UK, 2.03, Community Service
196) Law and Order UK, 2.04, Sacrifice
197) Caprica, 1.06, Know the Enemy
198) Gossip Girl, 3.13, The Hurt Locket
199) Angel, 5.15, A Hole in the World
200) Angel, 5.16, Shells
201) Angel, 5.17, Underneath
202) Angel, 5.18, Origin
203) Angel, 5.19, Time bomb
204) How I Met Your Mother, 4.17, Of Course
205) Law and Order UK, 2.05
206) Lost, 6.07, Doctor Linus
207) Caprica, 1.07, The Imperfections of Memory
208) Grey's Anatomy, 6.16,
209) Angel, 5.20, The girl in question
210) Angel, 5.21, Power play
211) Angel, 5.22, Not fade away
212) Grey's Anatomy, 6.17,
213) Gossip Girl, 3.14, The Lady Vanished
214) Law and Order UK, 2.06
215) Lost, 6.08, Recon
216) Caprica, 1.08, Ghosts in the Machine
217) How To Make It in America, 1.01, Pilot
218) How To Make It in America, 1.02, Crisp
219) How To Make It in America, 1.03, Paper, Denim + Dollars
220) How To Make It in America, 1.04, Unhappy Birthday
221) How To Make It in America, 1.05, Big in Japan
222) The Pacific, 1.02, Basilone
223) The Big Bang Theory, 1.01, Pilot
224) The Big Bang Theory, 1.02, The Big Bran Hypothesis
225) The Big Bang Theory, 1.03, The Fuzzy Boots Corollary
226) The Big Bang Theory, 1.04, The Luminous Fish Effect
227) How I Met Your Mother, 5.18, Say Cheese
228) Gossip Girl, 3.15, The Sixteen Year Old Virgin
229) Supernatural, 5.15,
230) The Pacific, 1.03, Melbourne <3
231) How To Make It in America, 1.06, Good Vintage
232) Grey's Anatomy, 6.18, Suicide is Painless
233) Lost, 6.09, Ab Aeterno

• April


234) How To Make It in America, 1.07, Keep on Truck'n
235) How To Make It in America, 1.08, Never Say Die
236) Lost, 6.10, The Package
237) Supernatural, 5.16, Dark Side of the Moon
238) Supernatural, 5.17, 99 Problems
239) Gossip Girl, 3.16, The Empire Strikes Jack
240) The Pacific, 1.04, Gloucester/Pavuvu/Banika
241) Grey's Anatomy, 6.19, Sympathy for the Parents
242) Bones, 5.15, The Bones on a Blue Line
243) Gossip Girl, 3.17, Inglorious Bassterds
244) Lost, 6.11, Happily Ever After
245) Bones, 5.16, The Parts in the Sum of the Whole
246) Caprica, 1.09, End of Line
247) The Pacific, 1.05, Peleliu Landing
248) How I Met Your Mother, 5.19,
249) Gossip Girl, 3.18, The Unblairable Lightness of Being
250) Lost, 6.12, Everybody Loves Hugo

music;

• January
♪ I Got My Mind Set On You - George Harrison
♪ Fairytale Gone Bad - Hey There Delilah OST xD
♪ Lungs - Florence and the Machine
♪ Real Life Version - Voxtrot
♪ When the man comes around - Johnny Cash


• February
♪ All Along the Watchtower - Battlestar Galactica OST
♪ Gaeta's Lament - Battlestar Galactica OST
♪ Paper Ships - Dead Man's Bones

• March:
♪ Hey Ya - Stark Sands
♪ Death Cab For Cutie
♪ Paradise City - John Frog

obsessions;

• January
♥ Angel Tv Series
♥ Generation Kill
♥ Battlestar Galactica
♥ Exams
♥ Stark Sands

• February
♥ Battlestar Galactica (yup, again!xD)
♥ Starbuck/Apollo
♥ Jamie Bamber

• March
♥ Band of Brothers
♥ Ron Livingston
♥ T-Company
♥ Hugh Dancy

• April
♥ Supernatural
♥ OMFG! Will Dean say "Yes"?
♥ Jus in Bello
♥ Jensen Ackles
♥ Misha Collins
♥ Jared Padalecki


 

crushes;

Alexis Denisof/Wesley Wyndam-Pryce (Angel)
Stark Sands/Nate Fick (Generation Kill)
Alexander Skarsgaard/Brad "Ice Man" Colbert (Generation Kill)
James Ransone/Ray Person(Generation Kill)
Jamie Bamber/Lee "Apollo" Adama (Battlestar Galactica)
Katee Sackhoff/Kara "Starbuck" Thrace (Battlestar Galactica)
Aaron Douglas/Gael "Chief" Tyrol(Battlestar Galactica)
Tahmoh Penikett/Karl "Helo" Agathon(Battlestar Galactica)
Edward James Olmos/William Adama (Battlestar Galactica)
James Callis/Gaius Baltar (Battlestar Galactica)
Mary McDonnell/Laura Roslin (Battlestar Galactica)
Mark Sheppard/Romo Lampkin (Battlestar Galactica)
Esai Morales/Joseph Adama (Caprica)
Ron Livingston/Lewis Nixon (Band of Brothers)
Florence Welch
 
Hugh Dancy

ships;

♥ Angel/Lindsey McDonald (Angel Tv Series)
♥ Wesley Wyndam-Pryce/Lilah Morgan (Angel Tv Series)
♥ Angel/Cordelia Chase (Angel Tv Series)
♥ Angel/Lindsey McDonald/Darla (Angel Tv Series)
♥ Brad Colbert/Nate Fick (Generation Kill)
♥ Brad Colbert/Ray Person (Generation KIll)
♥ Ray Person/Walt Hasser (Generation Kill)
♥ Alexander Skarsgaard/Stark Sands (RPF)
♥ Alexis Denisof/Alyson Hannigan (RPF)
♥ Lee "Apollo" Adama/Kara "Starbuck" Thrace (Battlestar Galactica)
♥ Bill Adama/Saul Tigh (Battlestar Galactica)
♥ Bill Adama/Laura Roslin (Battlestar Galactica)
♥ Karl "Helo" Agathon/Sharon "Athena" Valerii (Battlestar Galactica)
♥ Felix Gaeta/Gaius Baltar (Battlestar Galactica)
♥Lee "Apollo" Adama/Romo Lampkin (Battlestar Galactica)
♥Karl "Helo" Agathon/Kara "Starbuck" Thrace (Battlestar Galactica)
♥Lee "Apollo" Adama/Bill Adama (Battlestar Galactica)
♥Caprica Six/Gaius Baltar (Battlestar Galactica)
♥ Larita Whittaker/Mr. Whittaker (Easy Virtue
♥ Daniel Graystone/Joseph Adama (Caprica)
♥ Joseph Adama/Amanda Greystone (Caprica)
♥ Dick Winters/Lewis Nixon (Band of Brothers)
♥ Ronald Speirs/Carwood Lipton (Band of Brothers)
♥ David Webster/Joseph Liebgott (Band of Brothers)
♥ Frederic Henry/Rinaldi (A Farewell to Arms)
♥ Frederic Henry/The Priest (A Farewell to Arms)

quotes;

"Everybody has demons. Them, Baltar, you, me. Even the machines. The law is just a way of exorcising them. That's what your father's father told me. You want to know why I hated him? Because he was right. "
(Romo Lampkin - Battlestar Galactica)

events;

[art] 14/02 - Visit to Palazzo Medici Riccardi , Firenze
[gig] 09/03 - Florence + The Machine @ Estragon, Bologne
[art] 16/03 - De Chirico, Max Ernst, Magritte, Balthus - Uno sguardo nell'invisibile, Palazzo Strozzi, Firenze
[con] 02/04 to 04/04 - Jus in Bello: Supernatural Italian Convention, Rome
[gig] 06/08 - U2 @ Olympic Stadium, Turin
[gig] 08/10 - U2 @ Olympic Stadium, Rome

memorable entries;

[meme] "You are the ___ to my ___"



memorable stuff;


[vid] Alexis Denisof in "I Got My Mind Set On You" by George Harrison
[pic] Alexander Skarsgaard kisses Stark Sands ♥
[vid] Bonnie & Clyde: Montage (Stark Sands as Clyde)
[vid] Apollo/Starbuck - Hot 'n' Cold Fanvid
[fanmix] Fragments - Band of Brothers by matricons
[vid] Ella Enchanted - Don't Go Breaking My Heart (HUGH DANCY! >////<)
[song] "Journey's End" Easter Bonnet 2007 song

flist scrapbooks;

  brit_clo : Scrapbook
  irish_breeze : Scrapbook
  zoedriver : Scrapbook , Television Episodes
  martu89   Scrapbook
  shizu9   Scrapbook
  sanzina89   Scrapbook
  kimmy_dreamer   Scrapbook
  wutheringspark   Scrapbook
  padontworry   Scrapbook
  bily_92   Scrapbook
  herm_weasley   Scrapbook
  miss_hale   Scrapbook
  anybeaver   Scrapbook
  waferkya   Scrapbook
  eleblack   Scrapbook

( À la Maison ) ( 2010: To Do List ) ( & Fandom pairings ) (2009 Scrapbook )

Updated: 14/04/10